fabric
fabric work
often when a traditional craft becomes mechanised the art
form is lost, however in the case of sewing the development of newer machines
have allowed for a variety of decorative and functional stich patterns, of which are most often used as a boarder
because of the repetitive nature of the stich, my personal favourite of these
would be the crescent stich, however this does take the longest and causes the
machine to shake a lot.
within the fashion industry two popular processes are slashing
on folding, slashing is based on layering fabrics and cutting the surface and
intermediate layers, followed by fraying the ends, this is especially effective
when used with selective colour pallets, for example green and gold work well,
this process works well on areas of motion such as elbow sections on sleeves .
folding is a another method that involves pinching the fabric to create a
crease, this allows shaping and decoration.
using a scrap pair of jeans I spray-painted my hippocampus stencil
onto them, as denim is a thicker material, bleeding shouldn’t be as much of an
issue, in addition to this, the material shouldn’t become as inflexible, this
makes denim a very useful material in this sense however the final outcome is
required to be a white sheet or shirt.


the second piece I had only five minutes to complete and
personally I prefer this significantly less to the other one. another difference
is that I used ballpoint pen rather than fine liner this created a much bolder
line however the colours did run a little more than with the other, In addition
to this I do not believe that this method matches my sketchy style of drawing
as well as using fine liner. as there was less time to draw this did not focus
as much on creating a representation that isn’t simple a visual of what I saw
in front of me.




teddy
not wanted to limit myself to sheets of material I have decided to try dying a teddy bear, this allows to test how the dye reacts to objects containing stuffing. for this I submerged the bear in blue dye and then dripped on concentrated areas of yellow once the previous colour had dried. however I found that the dye does not distribute evenly throughout the object leaving many areas of it the original colour, this is as result is not an effective practice.
drawing with thread
marbling on fabric
pattern types
often when a traditional craft becomes mechanised the art
form is lost, however in the case of sewing the development of newer machines
have allowed for a variety of decorative and functional stich patterns, of which are most often used as a boarder
because of the repetitive nature of the stich, my personal favourite of these
would be the crescent stich, however this does take the longest and causes the
machine to shake a lot.
within the fashion industry two popular processes are slashing
on folding, slashing is based on layering fabrics and cutting the surface and
intermediate layers, followed by fraying the ends, this is especially effective
when used with selective colour pallets, for example green and gold work well,
this process works well on areas of motion such as elbow sections on sleeves .
folding is a another method that involves pinching the fabric to create a
crease, this allows shaping and decoration.
despite these being effective methods, because I plan to use
a sheet for my outcome this process may not be effective and may be lost in my
intentions, as my focus is on family bonds through the use of colour and slashning often involves layering and a lot of the colour. I hope to keep my final to be both striking and as simple as possible, a task I do not believe possible with slashing and folding.
spray paint
as many of my previous pieces feature spray-paint it felt
appropriate to use this medium within this project, my aim with this is that
stencils can be used to create shapes and form. using this method I have found
that using spray paint stiffens the fabric and if too much spray paint is
applied then it may bleed into the fabric. considering these drawbacks I need
to fine a method that allows finer detail.
hippocampus
using a scrap pair of jeans I spray-painted my hippocampus stencil
onto them, as denim is a thicker material, bleeding shouldn’t be as much of an
issue, in addition to this, the material shouldn’t become as inflexible, this
makes denim a very useful material in this sense however the final outcome is
required to be a white sheet or shirt.
circles, skull, spider
for this I wanted to test how spray paint would react with
darker and thinner fabric
dragon
since thinner fabric bled a lot I wanted to try using a
thicker fabric in hope of finding the compensation point between the absorption
and amount of bleeding, for this I used cotton since this material is known for
being very absorbent.
with thread

because spray paint is not as effective on thinner fabric I decided
to use thread to define the details, to test this method I have used the dragon
stencil as this is one of the more complicated stencils and if what I wanted to
achieve could not with this piece then it would not with any of the others.
after completing this I found that this process works, allowing the shapes
created to have from, in addition to this tone can also be created when using
similar colours to the fabric.
during two life drawing sessions I have used fine liner pen
to draw the models as they posed, the image consisting of a lager range of
colour was drawn over the space of 15 minutes, this allowed me to spend more
time to consider compositional aspects and add more freehand elements while
still maintaining human form, this piece represents a link between man and
machine how often people can be treated like machinery or simple parts.
the second piece I had only five minutes to complete and
personally I prefer this significantly less to the other one. another difference
is that I used ballpoint pen rather than fine liner this created a much bolder
line however the colours did run a little more than with the other, In addition
to this I do not believe that this method matches my sketchy style of drawing
as well as using fine liner. as there was less time to draw this did not focus
as much on creating a representation that isn’t simple a visual of what I saw
in front of me.
monoprinting
monoprinting on fabric



linen
1 twine
2 bands
3 button
this was the most successful of the tie dyeas
this was the most successful of the tie dyeas
shirt
the most successful pieces using tie dye this shirt was made by bundling the fabric tightly and dipping one half in yellow and the other in blue, this larger scale process turned out a lot better then the smaller scale.
the most successful pieces using tie dye this shirt was made by bundling the fabric tightly and dipping one half in yellow and the other in blue, this larger scale process turned out a lot better then the smaller scale.
teddynot wanted to limit myself to sheets of material I have decided to try dying a teddy bear, this allows to test how the dye reacts to objects containing stuffing. for this I submerged the bear in blue dye and then dripped on concentrated areas of yellow once the previous colour had dried. however I found that the dye does not distribute evenly throughout the object leaving many areas of it the original colour, this is as result is not an effective practice.
drawing with thread
the artist harriet popham uses drawing
painting on fabric
painting on fabric
colour is what will be most prominent it is worth
considering fabric paint as an option, therefore I have done a few experiments
using this medium.
because fabric is very absorbent adding water to the paint
can make a huge difference resulting in
the colour to become far more even and run a lot more depending on how much
water is added. this would allow for a better distribution of colour that can
be layered create more a layered effect. this method is not as efficient for
creating finer lines, in addition to this the colours are significantly muted
compared to the labelled colour.
without using water the colours are far more vibrant than when
using water, however significantly more paint is required as it runs out
quicker.
soaking
pelt
marbling on fabric
using the process previously described I have used marbling
on fabric in which I have used a circular bowl to create circular patterns on
fabric, the image created is similar to those on paper, however the main problem with this method is that the
paint does not stick to the fabric and peels off, which is a serious drawback.
due to the issues with this method, I do not think it would be appropriate to
consider this for an outcome.








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